Co-founders Amy Katz (middle left) and Kate Cassidy (middle right), with 52 inc. staffer/collaborators Elliot George and Wudasie Efrem on the bar’s final day. Photo courtesy of Kate Cassidy.
Article originally published January 4, 2012 by The Grid online (TheGridTO.com).
In the latest instalment of her nightlife-history series, Denise Benson takes us back to College Street in the mid-90s, when a female-friendly hotbed for arts and culture opened up just as Little Italy was beginning to explode.
BY: DENISE BENSON
Club: 52 inc., 394 College Street
Years in operation: 1995 — 2000
History: On August 2nd 1995, two 23-year-old friends—Kate Cassidy and Amy Katz—opened a community-minded café, bar and boutique just one block away from their shared rental apartment at College and Borden. 52 inc., named as a nod to women forming fifty-two percent of the global population, was a complementary addition to a neighbourhood filled with diverse independent businesses.
Photo of DFC dance crew at Movement by Rob Ben (courtesy of John Kong).
Article originally published September 21, 2011 by The Grid online (TheGridTO.com). This piece marked the debut of Then & Now, originally envisioned as a series of brief articles. Given that Then & Now articles grew in length and number of participants, Roxy Blu will be revisited in far more detail for the T&N book.
Introducing Then & Now, a new feature by Denise Benson where she takes a look at what’s become of Toronto’s legendary, but now defunct, dance clubs. In this inaugural edition, she revisits the much-missed Roxy Blu in advance of Friday’s reunion party at Revival.
BY: DENISE BENSON
Club: Roxy Blu
Location: 12 Brant
Years in operation: 1998-2005
Why it was important: From the spring of 1998—when owner Amar Singh opened Roxy Blu in a King West area not then known for clubs—this 10,000 square-foot venue of four rooms (Roxy upstairs, Foundation a.k.a. Surface downstairs) grew to become one of Toronto’s most beloved venues for house, dancefloor jazz, downtempo, hip-hop and emerging/underground electronic and dance music. Roxy’s size, friendly staff, comfortable décor and wooden dancefloors attracted innovative DJs and promoters who, in turn, drew audiences equally passionate about music and dancing. Parties and promoters—including Movement, Phatblackpussycat, Solid Garage, milk. and Hot Stepper’s Garage 416 and Bump N’ Hustle—flourished at Roxy, collectively creating a whole much larger than its parts.