Flyer for The Living Room’s “Holiday House” presented by Pat & Mario. Courtesy of Pat Boogie.
Article originally published May 10, 2012 by The Grid online (TheGridTO.com).
This late-’90s venture by the party-starting Sbrocchi and Assoon brothers became the favourite Sunday night spot for a mature crowd of dedicated house heads. It was so beloved, some called it the Toronto house scene’s version of Cheers.
BY: DENISE BENSON
Club: The Living Room, 330 Adelaide St. W.
Years in operation: 1997-2002
History: Though it may be difficult to imagine, just 15 years ago, Toronto’s Entertainment District still had some semblance of cool. It hadn’t yet become overrun with copycat venues, fall-over-drunk partiers, and frustrated residents, while the mad condo-fication we see today hadn’t fully taken hold. There remained a whiff of possibility in the area for those who wanted to open music-minded social spots.
Into this epicentre returned the brothers Assoon. In 1980—when the area was decidedly non-residential and still touted as the Garment District—Albert, Tony, Michael and David Assoon (and partners) opened Twilight Zone on Richmond near Simcoe. The deeply influential after-hours dance club ran until 1989.
Eight years later, Albert and Michael partnered with Anthony Formusa and brothers Tony and Johnny Sbrocchi to open a vastly different venture in a two-storey, Art Deco-style warehouse building near the corner of Peter and Adelaide. It had been home to the Sbrocchis’ fine-dining restaurant Ola, but that hadn’t taken off.
AnnMarie McCullough a.k.a. DJ Amtrak at Element. Photo courtesy of her.
Article originally published April 26, 2012 by The Grid online (TheGridTO.com).
As Clubland boomed at the turn of the millennium, this beloved Queen West space provided a big-room experience in an intimate, underground atmosphere—but it ultimately became a victim of its own success.
BY: DENISE BENSON
Club: Element Bar, 553 Queen W.
Years in operation: 1999-2004
History: In the late 1990s, Toronto’s rave and house music scenes were booming. Raves attracted audiences of multiple thousands while even licensed clubs catering to underground tastes tended to hold at least 800. The Entertainment District was littered with venues—most of them commercial and unadventurous—while the College and Ossington strips had not yet developed into hotspots for small to mid-sized venues.
In this environment, a group of friends rented a decidedly intimate space on Queen, between Spadina and Bathurst, that had been home to popular pool hall Behind the Eight Ball and, briefly, 24/7 Billiards. The address was also known for after-hours parties on its top floor, dubbed Zodiac.
Tony Mutch, Marcus Boekelman, and their silent partner Patrik Xuereb all met in high school. By their late 20s, Boekelman and Mutch had both produced parties, with Boekelman having experienced Ibiza and London and promoted events in Toronto featuring electronic dance-music stars like Paul Oakenfold.
The scene at System Soundbar, September 24, 2005. Photo by Ryan Parks.
Article originally published April 12, 2012 by The Grid online (TheGridTO.com).
In the latest edition of her nightlife-history series, Denise Benson revisits the Entertainment District institution that brought underground rave culture to Toronto’s mainstream club crowd at the dawn of the millennium.
BY: DENISE BENSON
Club: System Soundbar, 117 Peter
Years in operation: 1999-2005
History: System Soundbar was an unlikely home for electronic dance music with a decidedly underground bent. Opened smack dab in the middle of the commercial club district, System was owned by Zisi Konstantinou—former owner/operator of successful Adelaide Street spot Limelight—with his partners Spyros Theoharis and Boris Khaimovich. They hired former Limelight employee Orin Bristol as general manager, and the group worked to develop a plan.
“Zisi purchased the building as a property investment, and we were trying to figure out what to do with the basement as it was just being used as storage space,” shares Bristol. “We spoke about doing a nightclub, but thought it would be a hard sell for a mainstream crowd as it was in a basement.
“At the same time, the city was cracking down on raves and there were less and less spots to do parties in. Because of our Wednesday nights at Limelight [with EDM/rave DJs Craig Pettigrew and John E], we had come to know the guys from [promoters] Lifeforce Industries. Between Craig and them, we talked about doing rave-style events in the space.”
Anything could happen at Club Z. Photos courtesy of INK Entertainment.
Article originally published February 16, 2012 by The Grid online (TheGridTO.com).
In this instalment of her ongoing nightlife-history series, Denise Benson looks back at the first club creation of Toronto nightlife magnate Charles Khabouth. At just 22 years old, he opened Club Z in 1984, but its groundbreaking legacy lives on to this day.
BY: DENISE BENSON
Club: Club Z, 11A St. Joseph Street
Years in operation: 1984-1989
History: Tracing the history of this city’s nightlife tells us much about its physical transformation and urban development. Nowhere is this more obvious than at the corner of Yonge and St. Joseph. Here, we’ve recently seen a few significant buildings largely demolished as part of their ongoing metamorphosis into Five Condos.
I had often wondered about the physical similarities between the original red brick buildings at 610 Yonge, 5 and 11 St. Joseph, and 15 St. Nicholas, but only recently noticed the plaque on 11’s easterly side. It turns out that moving and storage company Rawlinson Cartage built all of them, with the warehouse space of 11 St. Joseph constructed between 1895 and 1898.
Gay Torontonians who socialized in the 1970s and early ‘80s will remember 11A St. Joseph as popular all-ages discotheque Club Manatee, a three-level spot where the DJ booth was in the bow of a boat hanging above the crowd.
In September of 1984, directly after the Manatee’s closing, a 22-year-old Charles Khabouth debuted as a nightlife entrepreneur by opening Club Z in that very location. Now known as the CEO of INK Entertainment, whose many impressive properties include The Guvernment, La Société Bistro and the Bisha hotel/condo project, Khabouth started with just $30,000 and a desire to fuse his love of music, fashion and dance.