All photos in gallery by Alice Lipczak, Wonderland Photography
Article originally published March 12, 2013 by The Grid online (thegridto.com).
Denise Benson revisits both the original Isabella Street location that laid down the breeding ground for Toronto’s early-‘80s alternative music and fashion scenes –also seeming to be U2’s home away from home– and the Yonge Street haunt that later served as a hangout for goths, punks and ska fans alike.
BY: DENISE BENSON
Club: Domino Klub (1 Isabella St.), later Klub Domino (279 Yonge St.)
Years in operation: 1979-1987
History: In the late 1970s through much of the ’80s, Yonge and Isabella was an epicentre for emergent music, arts, and fashion culture. The area came alive at night, with numerous booze-cans and after-hours clubs drawing dancers to upper-level locations on Yonge and decadent discos on side streets, especially St. Joseph. Before Domino’s opened upstairs at 1 Isabella, the venue had been the Cheetah Club. Owned by Gunther Weswaldi, whose background was in the food and beverage industry, the Cheetah was short lived. It’s thought that Weswaldi and his wife Darlene opened Domino at this address in early 1979. (Weswaldi’s current whereabouts are unknown.) Advertised as a venue where people could meet for “lunch, dinner, dancing, disco,” Domino’s was a licensed restaurant and nightclub open daily. It did not launch with a distinct identity. Continue Reading…
The Diamond Club dancefloor. This and all photos in gallery by Gokche Erkan. All rights reserved.
Article originally published September 12. 2012 by The Grid online (thegridto.com).
We revisit the crown jewel of late-‘80s Toronto nightlife, where everyone from house enthusiasts to members of Pink Floyd felt right at home.
BY: DENISE BENSON
Club: The Diamond Club, 410 Sherbourne St.
Years in operation: 1984-1991
History: While Torontonians have known 410 Sherbourne as a dance club and concert venue for almost three decades, the building was once home to music and theatrics of a different sort. Starting in the 1950s, the German-Canadian Club Harmonie offered everything from community gatherings to oom-pah bands to ballroom dancing at the address.
In the early 1980s, New Yorker Pat Kenny entered the picture. At the time, Kenny owned or co-owned three Manhattan clubs: Greenwich Village rock spots The Bitter End and Kenny’s Castaways (now run by his son), and larger dance club and concert venue The Cat Club.
“Pat was called ‘The Bard of Bleeker Street’ because he was a larger-than-life character, and extremely well known in New York,” says Toronto club and music-industry veteran Randy Charlton, who worked for Kenny. “He helped break the careers of a lot of struggling young artists in the 1960s into the ’70s, like Dylan, Bruce Springsteen, and Mark Knopfler before Dire Straits was well known.”
Though based in New York, Kenny took an interest in Toronto. Friends involved in The Village Gate nightclub and dinner theatre wanted to open an offshoot location here; Kenny opened it at 410 Sherbourne, with Club Harmonie still holding court in a small space within the building. After a few unsuccessful productions, the dinner theatre folded, and Kenny rented the entire building to open a nightclub.
Divine (centre) with Nuts & Bolts regulars Lynette and Sherri, 1987. Photo courtesy of David Heymes.
Article originally published December 14, 2011 by The Grid online. Admittedly, it was difficult to research this club’s earliest years and contributors. As a result, a number of details originally included were inaccurate or incomplete, as pointed out in comments from a number of Grid readers. Some details have been updated as a result. This story will be further researched and developed for the Then & Now book.
In the latest instalment of her nightlife-history series, Denise Benson takes us back to a time when the edge of the Ryerson campus served as a breeding ground for Toronto’s alternative-scene explosion.
BY: DENISE BENSON
Club: Nuts & Bolts, 277 Victoria St.
Years of operation: 1980-1988 [Original article stated 1977 - 1988]
History: In many ways, fabled alternative bar Nuts & Bolts was one of Toronto’s most unlikely dance-club success stories. Housed in the basement of a six-storey office building on the edge of Ryerson University’s campus, Nuts & Bolts was owned by Frank Cutajar, also proprietor of the All-Star Eatery, located on the ground floor of the same building.
According to all I spoke with and based on my own experiences—my first professional DJ gigs in Toronto were at Cutajar’s gay/alt club Showbiz, located around the corner, upstairs at 3 Gould St.—Frank was far from cutting-edge or visionary in his approach to running clubs. But he hired wisely.
It seems Nuts & Bolts’ first manager, Ed Jandrisits, was heavily responsible for the bar’s post-punk lean as he, in turn, hired a new-wave-loving staff. Jandrisits set the tone for the venue’s family vibe, with a great number of its bartenders, DJs and other staff—including infamous doorman Henry, who greeted people as they made their way down a dark staircase and through double metal doors—remaining at the club for years, often in a variety of jobs.