Ruckus tears up Turbo. Photo by Jay Futronic.
Article originally published September 24, 2012 by The Grid online (thegridto.com).
360 Adelaide St. W. has had many incarnations over its 90-year-plus existence, but it is best remembered as the home of Toronto’s burgeoning drum ‘n’ bass scene in the early 2000s.
BY: DENISE BENSON
Club: Turbo Niteclub, 360 Adelaide W.
Years in operation: 2000-2003
History: Built around 1920, the six-storey red brick office building at 360 Adelaide St. W. has been home to multiple dance clubs, many of them owned and operated by Vincent Donohoe. He’d opened Top 40 venue Denile at the address in 1997, a time when the Entertainment District was synonymous with nightclubs, but Donohoe was no newbie. He’d already helped finance Charles Khabouth’s first two clubs in the 1980s—Club Z at 11A St. Joseph and Stilife on Richmond—and run other businesses.
“Although Charles Khabouth never seems to want to let people know, I was a full partner in Club Z and the money behind Stilife,” writes Donohoe in an email. “He was broke when I met him, and at one time I owned two thirds of Club Z. I also helped put together Orchid Nightclub [on Richmond Street], and was general manager for their first three years, until I built Denile.”
Donohoe’s one-floor Denile later morphed into Jet Nightclub, a hybrid venue that held successful commercial nights, and was regularly rented out by rave production companies like Ritual, Empire, and Lifeforce Industries for much more underground, after-hours events.
Limelight dancefloor. Photo by Steven Lungley. All rights reserved.
Article originally published July 27, 2012 by The Grid online (thegridto.com).
As the Entertainment District grew more sophisticated in the 1990s, this proudly shabby and unpretentious nightclub drew crowds by the thousands each week to a sleepy stretch of Adelaide.
BY: DENISE BENSON
Club: Limelight, 250 Adelaide St. W.
Years in operation: 1993-2003
History: Before the Entertainment District became synonymous with dance clubs, the well-worn brick building at 250 Adelaide St. W. was home to businesses including a print shop and Old Favorites Books.
Located near the corner of Duncan, the building was spotted by businessman Zisi Konstantinou, who saw its potential as a club space. Richmond Street east of Spadina was already attracting large weekend crowds in the early 1990s, thanks to venues like Charles Khabouth’s pioneering Stilife and the Ballinger brothers’ hotspot Go-Go, which later became Whiskey Saigon. Adelaide east of Spadina was not yet a dancer’s destination.
Konstantinou’s next smart move was to hire Boris Khaimovich as general manager of his club-to-be. Khaimovich—who’d worked the door and managed at Toronto clubs including The Copa, Boom Boom Room, and Go-Go, brought his vision to the project—and was Limelight’s guiding light for eight of its 10 years.
AnnMarie McCullough a.k.a. DJ Amtrak at Element. Photo courtesy of her.
Article originally published April 26, 2012 by The Grid online (TheGridTO.com).
As Clubland boomed at the turn of the millennium, this beloved Queen West space provided a big-room experience in an intimate, underground atmosphere—but it ultimately became a victim of its own success.
BY: DENISE BENSON
Club: Element Bar, 553 Queen W.
Years in operation: 1999-2004
History: In the late 1990s, Toronto’s rave and house music scenes were booming. Raves attracted audiences of multiple thousands while even licensed clubs catering to underground tastes tended to hold at least 800. The Entertainment District was littered with venues—most of them commercial and unadventurous—while the College and Ossington strips had not yet developed into hotspots for small to mid-sized venues.
In this environment, a group of friends rented a decidedly intimate space on Queen, between Spadina and Bathurst, that had been home to popular pool hall Behind the Eight Ball and, briefly, 24/7 Billiards. The address was also known for after-hours parties on its top floor, dubbed Zodiac.
Tony Mutch, Marcus Boekelman, and their silent partner Patrik Xuereb all met in high school. By their late 20s, Boekelman and Mutch had both produced parties, with Boekelman having experienced Ibiza and London and promoted events in Toronto featuring electronic dance-music stars like Paul Oakenfold.