All photos in gallery by Alice Lipczak, Wonderland Photography
Article originally published March 12, 2013 by The Grid online (thegridto.com).
Denise Benson revisits both the original Isabella Street location that laid down the breeding ground for Toronto’s early-‘80s alternative music and fashion scenes –also seeming to be U2’s home away from home– and the Yonge Street haunt that later served as a hangout for goths, punks and ska fans alike.
BY: DENISE BENSON
Club: Domino Klub (1 Isabella St.), later Klub Domino (279 Yonge St.)
Years in operation: 1979-1987
History: In the late 1970s through much of the ’80s, Yonge and Isabella was an epicentre for emergent music, arts, and fashion culture. The area came alive at night, with numerous booze-cans and after-hours clubs drawing dancers to upper-level locations on Yonge and decadent discos on side streets, especially St. Joseph. Before Domino’s opened upstairs at 1 Isabella, the venue had been the Cheetah Club. Owned by Gunther Weswaldi, whose background was in the food and beverage industry, the Cheetah was short lived. It’s thought that Weswaldi and his wife Darlene opened Domino at this address in early 1979. (Weswaldi’s current whereabouts are unknown.) Advertised as a venue where people could meet for “lunch, dinner, dancing, disco,” Domino’s was a licensed restaurant and nightclub open daily. It did not launch with a distinct identity. Continue Reading…
Stilife interior. Photo courtesy of INK Entertainment.
Article originally published January 28, 2013 by The Grid online (thegridto.com).
After cutting his teeth in nightlife as owner of Club Z on St. Joseph, Charles Khabouth relocated to open this dramatically designed destination spot that kick-started the development of Toronto’s Entertainment District.
BY: DENISE BENSON
Club: Stilife, 217 Richmond W.
Years in operation: 1987–1995
History: Built in the 1920s, the six-storey brick building on the southwest corner of Richmond and Duncan Streets exemplifies the major changes experienced by this Toronto neighbourhood as it morphed from Garment to Entertainment District.
The once heavily industrial area, located south of Queen and bordered by University to the east and Spadina to the west, was occupied by factories, warehouses and daytime workers for the better part of the 20th century. By the 1970s, most of the factories had closed, and many of the buildings lay empty. It was only after the opening of the SkyDome (now known as the Rogers Centre) in 1989 that municipal politicians began to amend zoning laws in order to encourage development in the region.
But in the 1980s, before these sweeping changes took place, the former Garment District was a land of opportunity.
Boom cage dancers Mikey (far left) and friends. Photo courtesy of Sofia Weber.
Article originally published February 1, 2012 by The Grid online (TheGridTO.com).
In this instalment of her ongoing nightlife-history series, Denise Benson looks back at the notoriously decadent late-’80s dance club that brought metalheads and rap fans together, installed a hot tub and cages on the dancefloor, and effectively brought the “queer” to Queen West.
BY: DENISE BENSON
Club: Boom Boom Room, 650 ½ Queen St. W.
Years in operation: 1988-1993
History: One cannot discuss this city’s nightlife history at any length without mention of the brothers Ballinger: Lon, Stephen, Douglas and Peter. The self-described “Rock ‘n’ Roll Farmers” from Dundalk, Ontario ruled the roost in mid-to-late-1980s Toronto. In 1986, they converted the former Holiday Tavern at Queen and Bathurst into The Big Bop, a multi-floor rock and dance club that packed in the student crowd. Its success paved the way for future Ballinger club endeavours, including Go-Go, Rockit and, at the northeast corner of Queen and Palmerston, Boom Boom Room.
Previously, 650 ½ Queen West was home, at street level, to live blues venue The Pine Tree Tavern, with a hotel above. In 1988, the Ballingers bought and renovated the building, turning the upstairs into Hotel Heartbreak—a hotel-cum-rooming house announced by a big, bold neon sign—and the downstairs into a “Rock ‘n’ Roll Danceteria” that was far more intimate and edgy than their other club efforts.