Browsing Tag

Chris Sheppard

1980s, 1990s, Alternative, Electronic, House, Industrial, Rave, Rock

Then & Now: Empire Dancebar

December 4, 2014
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The Empire crew is decked out and ready to dig Psychedelic Wednesdays. Photo courtesy of Michelle Fabry.

 

Article originally published October 8, 2013 by The Grid online (thegridto.com).

This edition of Denise Benson’s Toronto-nightlife history series tells the story of how a local gay-community landmark was reborn in the late ’80s as a cutting-edge alternative club where you could dance to acid-rock and acid-house alike.

BYDENISE BENSON

Club: Empire Dancebar, 488A Yonge

Years in operation: 1988-1992

History: In a city where history is so often obliterated or obscured to make way for the new, there’s something comforting about the old clock tower still found atop 484-488 Yonge. It was built in 1870, as part of the original Toronto Fire Hall No. 3, which remained at the address until its move around the corner, to Grosvenor Street, in 1929.

After the hall closed on Yonge, that building was occupied by retail businesses until the St. Charles Tavern took root in 1951. By the early 1960s, the St. Charles was known to be a gay bar. It, along with the nearby Parkside Tavern, became a significant gathering spot that would help hasten the development of queer social life anchored around Yonge during the 1970s. The St. Charles, while also remembered as the focus of homophobic attacks (especially at Halloween), remains one of this city’s best-known gay bars of all time. A number of discos opened above it over the years, with the most popular being The Maygay and Charly’s. A club called Y-Not also operated upstairs in the mid 1980s. By 1987, following years of neglect, the St. Charles was a shadow of its former self and closed.

A year later, the upper level would re-open as Empire Dancebar, a versatile venue dreamed up by friends Dave Craig and Michael Marier. As a teen, Craig had been an MC and DJ in TKO Sound Crew, a popular group that was eventually inducted into the Stylus Awards Hall of Fame in 2008. Craig left TKO to join a new crew, Romantic Sounds, which was started by Marier. Together, they produced events including The House, a weekly underground jam held at the Party Centre at Church and Shuter. As their crowds increased each week, so too did the building manager’s rent demands.

“Eventually Mike’s dad, Bob, suggested that we should get our own space, and he funded the creation of Empire with a quarter-of-a-million dollar investment,” says Craig.

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1970s, 1980s, After-hours, Alternative, Goth, Industrial, Live Music, New Wave, Post-punk, Ska

Then & Now: Domino Klub

November 21, 2014

All photos in gallery by Alice Lipczak, Wonderland Photography 

 

Article originally published March 12, 2013 by The Grid online (thegridto.com).

Denise Benson revisits both the original Isabella Street location that laid down the breeding ground for Toronto’s early-‘80s alternative music and fashion scenes –also seeming to be U2’s home away from home– and the Yonge Street haunt that later served as a hangout for goths, punks and ska fans alike.

BYDENISE BENSON

Club: Domino Klub (1 Isabella St.), later Klub Domino (279 Yonge St.)

Years in operation: 1979-1987

History: In the late 1970s through much of the ’80s, Yonge and Isabella was an epicentre for emergent music, arts, and fashion culture. The area came alive at night, with numerous booze-cans and after-hours clubs drawing dancers to upper-level locations on Yonge and decadent discos on side streets, especially St. Joseph. Before Domino’s opened upstairs at 1 Isabella, the venue had been the Cheetah Club. Owned by Gunther Weswaldi, whose background was in the food and beverage industry, the Cheetah was short lived. It’s thought that Weswaldi and his wife Darlene opened Domino at this address in early 1979. (Weswaldi’s current whereabouts are unknown.) Advertised as a venue where people could meet for “lunch, dinner, dancing, disco,” Domino’s was a licensed restaurant and nightclub open daily. It did not launch with a distinct identity. Continue Reading…

1970s, 1980s, After-hours, Dance Music, Disco, Electro, Gay, New Wave

Then & Now: Stages

October 29, 2014
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The scene at Stages. Photo by Terry Robson, courtesy of Arnie Kliger.

 

Article originally published December 4, 2012 by The Grid online (thegridto.com).

With the help of two rare DJ mixes, we revisit the early-‘80s Yonge Street club that provided Toronto’s gay community with a safe haven and showcased cutting-edge dance-music sounds, before the spectre of AIDS brought the party to a close.

BYDENISE BENSON

Club: Stages, 530 Yonge

Years in operation: 1977-1984

History: The northwest corner of Yonge and Breadalbane was once occupied by the Hotel Breadalbane. In 1945, the Bolter family purchased the hotel and would transform the downstairs of 530 Yonge into The Parkside Tavern. The Bolters also owned The St. Charles Tavern, at 488 Yonge. By the mid-1960s, both taverns were known to be gay bars.

At that point in history, gay nightlife in Toronto was still very much underground. It was common for the heterosexual owners of gay bars to be contemptuous of their clientele. This seems to have been the situation at The Parkside, a dingy beer hall largely frequented by a daytime crowd. The Parkside’s owners allowed police to regularly spy on patrons in the washrooms, waiting to nab men engaged in any sort of sexual acts. Arrests were made, and the practice continued throughout the 1970s, even as gay activists organized leafleting campaigns and called for boycotts of the bar.

These conflicts were characteristic of the time. During the mid-to-late-1970s, Yonge Street was the main artery of Toronto gay social life (it would shift to Church in the mid-1980s). Those looking to dance could hit a number of spots near Yonge and Wellesley, like The Manatee, The Quest, Katrina’s, Club David’s, The Maygay (later Charly’s), and Cornelius, which sat above biker bar The Gasworks. By 1977, there were even two gay-owned bars in the area: The Barn, opened by Janko Naglic at 418 Church, and small cruise bar Dudes, opened by Roger Wilkes, a founder of the York University Homophile Association, and his partner David Payne in an alley just behind The Parkside.

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1980s, 1990s, All-ages, Alternative, Dance Music, Electronic, House, Live Music, New Wave, Punk, Rave, Rock

Then & Now: RPM

October 7, 2014
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Maria Del Mar (left), Al Jourgensen of Ministry, Ogre of Skinny Puppy and Chris Sheppard backstage at RPM. Photo courtesy of Sheppard.

 

Article originally published July 26, 2012 by The Grid online (TheGridTO.com).

We revisit the club that brought nightlife to the deepest edge of downtown, welcomed legends like the Ramones and Beastie Boys, and transformed resident DJ Chris Sheppard into a globe-trotting superstar.

BYDENISE BENSON

Club: RPM, 132 Queens Quay East

Years in operation: 1985-1995

History: Before the mid-1980s, the bottom of Jarvis Street, along Queens Quay, was not a clubbing destination. Sure, people had been known to party at Jackie’s, a nightclub space created within the Hilton Hotel at Harbour Square (now the Westin Harbour Castle), and things at Captain John’s could get rowdy on occasion, but the area was far less traveled than it is today.

In 1984, brothers Albert and Tony Assoon built on the success of their popular Richmond Street afterhours club, Twilight Zone, and opened Fresh Restaurant and Nightclub at 132 Queens Quay St. E. Here, they laid the foundations for an entertainment complex that they would not be able to fully realize. Less than two years after Fresh had opened, the Assoons no longer held claim to the business. (Albert Assoon has told me directly that they were forced out while others have stated the demand note on the Assoons’ loan was called in and could not immediately be paid in full.)

What this legal and financial tussle makes clear is that the huge converted warehouse building at 132 Queens Quay E. had already become a coveted nightclub spot. A week after its doors were chained, a crew of people largely associated with Yorkville hotspot The Copa (including Martin Arts and Neil Vosburgh), along with artist/entrepreneur Murray Ball, were the new owners.

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1990s, After-hours, Alternative, Drum 'n' Bass, Electronic, House, Industrial, New Wave, Punk, Rave, Rock, Ska, Techno

Then & Now: Catch 22

September 25, 2014
Catch 22 Marilyn Manson outside

Marilyn Manson outside of Catch 22, circa mid-1990s. Photo courtesy of Andy Gfy.

 

Article originally published by The Grid online (The GridTO.com) on May 24, 2012.

In the early ‘90s, alternative rock was exploding overground, with the rave scene coming up right behind it. This beloved Adelaide Street club bridged these two movements together in a legitimate, licensed space.

BYDENISE BENSON

Club: Catch 22 Niteclub, 379 Adelaide W.

Years in operation: 1989-1997

History: While a five-year-lifespan tends to be a decent run for nightclubs in this city, some strike a nerve and manage to go it longer, thanks to an ever-evolving community of supporters. Catch 22 was such a venue.

Located on Adelaide near the corner of Spadina, Catch was slightly off the beaten path as it lay on the edges of the then-developing club district and was a few minutes’ walk south from Queen West. It was opened in November of 1989 by a group of friends—with Pat Violo, Lex van Erem, and Gio Cristiano at the core—in a former storage space on the building’s lowest level.

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1980s, Alternative, Dance Music, Disco, Freestyle, Funk, House, Live Music, New Wave, Reggae, Rock

Then & Now: The Copa

September 23, 2014
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Photo by Julie Levene, courtesy of Barry Harris.

 

Article originally published March 15, 2012 by The Grid online (TheGridTO.com).

Denise Benson looks back at the massive, corporate-owned Yorkville spot that helped create Toronto’s big-ticket nightclub experience in the early 1980s.

BYDENISE BENSON

Club: The Copa, 21 Scollard

Years in operation: 1984 – 1992  [Original article stated 1983 - 1992]

History: Yorkville dance club and concert venue The Copa made its mark as one of the largest and busiest nightclubs to emerge in early 1980s Toronto. Opened in August 1984, the hotspot was located on the south side of Scollard, in a mixed commercial and residential area.

Its owners, the Chrysalis Group, were no strangers to Yorkville, having already opened trendy restaurants Bemelmans and the Bellair Café nearby. Chrysalis, in particular its CEO Tom Kristenbrun, would also go on to open Toby’s Goodeats and Bistro 990, but Chrysalis Group would make their mark with music as well as food.

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1990s, After-hours, Drum 'n' Bass, Electronic, House, Rave, Techno

Then & Now: 23 Hop

September 17, 2014
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Photo of 23 Hop hallway by Chris “Space” Gray.

 

Article originally published October 18, 2011 by The Grid online. It was third in the series. Given that Then & Now articles later grew in length and number of participants, the story of 23 Hop will be explored in more detail for the T&N book.

In the latest instalment of her nightclub-history series, Denise Benson revisits a dingy, graffiti-covered venue that had no signage and minimal lighting, but proved to be ground zero for Toronto’s early ‘90s rave scene.

BYDENISE BENSON

Club: 23 Hop, 318 Richmond St. W.

Years in operation: 1990-1995

Why it was important: Like the Twilight Zone, 23 Hop housed a new musical vision in a part of town then filled with more empty warehouses than clubs. Key to the genesis of Toronto’s rave scene, the venue originally operated as an all-ages club owned by Wesley Thuro, who would go on to open The Bovine Sex Club (with Chris Sheppard and Darryl Fine) in 1991 and now defunct Annex barbecue joint Cluck, Grunt & Low in 2007.

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