Browsing Category

Blues

1980s, 1990s, 2000s, African, Blues, Dub, Funk, Hip-Hop, Jazz, Latin, Live Music, Reggae, Ska, Soul

Then & Now: BamBoo

December 3, 2014

Take a tour of the BamBoo through the gallery above. All photos noted as courtesy of Patti Habib are copyright the Estate of Richard O’Brien and the BamBoo.

 

Article originally published July 16, 2013 by The Grid online (thegridto.com).

Denise Benson revisits the legendary restaurant and club that served as an island oasis amid a rapidly transforming Queen West strip.

BYDENISE BENSON

Club: BamBoo, 312 Queen St. W.

Years in operation: 1983-2002

History: Like the best of clubs, Toronto’s BamBoo was produced out of friendships, late-night revelry, and the desire to create a unique experience for a core community. The path that co-owners Richard O’Brien and Patti Habib took to get there was filled with fateful turns.

Both were in media and loved the nightlife: O’Brien had been a freelance journalist and live-music booker in California before returning to Toronto where he worked for TVOntario and later CBC, while Habib was a story producer for CBC Radio’s As It Happens. In the late 1970s, O’Brien, also known to friends as Ricci Moderne, partnered with infamous bon vivant Marcus O’Hara to produce annual St. Patrick’s Day parties, dubbed the Martian Awareness Ball (2013 marked its 35th anniversary), with Habib joining them a few years in.

Not long after, the trio—along with a group of friends that also included Dan Aykroyd, publicist Joanne Smale, John Ball, and Roots co-founder Michael Budman—put together an extensive business proposal to re-open The Embassy Tavern, a 1960s Yorkville bar and live-music venue. The plans did not come to fruition. Instead, in 1980, O’Brien and Habib launched the MBC boozecan in what had been her third-floor loft at the corner of Liberty and Jefferson.

“I had to move out,” laughs Habib during a lengthy phone chat. “Richard brought in all his records, and it became an after-hours club opened Mondays—a theatre night—and Thursdays only.”

For two years, the duo drew crowds to this largely deserted part of town we now know as Liberty Village. They booked bands that ranged from reggae to Rough Trade, from a newly formed Parachute Club to soul man Junior Walker. Jamaican patties were the only food served. Income earned at the door was hidden in record covers, and put aside with larger goals in mind.

Habib and O’Brien were also regulars at influential upstairs Queen West boozecan-cum-nightly-artist-hangout The Paper Door. As luck would have it, on an evening spent sitting on the venue’s back balcony, O’Brien looked down and spotted Wicker World, a shop at 312 Queen St. W. set back from the street. The location had been a laundry for years before, looked industrial, and piqued O’Brien’s curiosity. Not long after, he spotted a “For Lease” sign at the address, put down a deposit, and was given three months’ free rent in order to build his business.

Continue Reading…

1970s, 1980s, All-ages, Blues, Jazz, Live Music, New Wave, Post-punk, Punk, Rock, Singer-songwriter

Then & Now: The Edge

October 27, 2014
The Edge GTO ___ The-Police-1979

The Police hang at The Edge in 1979 with Q107′s Gary Slaight (left) and Brian Master (third from left). Photo courtesy of Gary Topp.

Article originally published November 2, 2012 by The Grid online (thegridto.com).

After punk exploded in the late ’70s, this infamous Gerrard Street new-wave mecca kept the fire burning into the ’80s—even if its many famous performers were in danger of getting doused by the overflowing upstairs toilets leaking onto the stage.

BYDENISE BENSON

Club: The Edge, 70 Gerrard St. E.

Years in operation: 1979-1981

History: On the northeast corner of Gerrard and Church sits a modest three-floor building that has had—and housed—many lives. It is said to have once been the residence of Egerton (pronounced “Edge-erton”) Ryerson, a prominent Canadian educator who, in 1852, founded the Toronto Normal School at what is now Bond and Gould streets.

Ryerson University is named after him, as was Egerton’s Restaurant and Tavern, a student hangout and folk-music club that opened at 70 Gerrard St. E. in the early 1970s. Licensed as a “listening room” and required to sell food, Egerton’s was open seven days a week, sold cheap beer, and booked live performers like Stan Rogers.

“We lived in the shadow of The Riverboat [in Yorkville] and bigger clubs that had bigger stages and dance floors, like the El Mocambo, Midwich Cuckoo Tavern, and Jarvis House,” recalls Derek Andrews, a veteran Toronto live-music programmer who got his start in the industry as a dishwasher at Egerton’s in January 1974.

Andrews would continue at the location for almost eight years, working his way up to busboy, waiter, and general manager. He shares that Egerton’s had been owned by Warren Beamish, PC candidate for the Rosedale riding in 1974’s federal election, before it was acquired by Bernie Kamin and Harvey Hudes, partners in Mosport Park, among other projects. The pair brought in a young Ron Chapman as co-owner and managing operator.

Chapman and Andrews—who together would run the Nite Life management company which represented artists including songwriter Eddie “Hit Me With Your Best Shot” Schwartz, Paul Quarrington, and Ellen McIlwaine—would go on to book the likes of legendary funk drummer Bernard Purdie during Egerton’s later period.

But Chapman also had an eye on Toronto’s emerging underground. Late in 1978, he invited prescient concert promoters Gary Topp and Gary Cormier, together known as The Garys, to come book live music at Egerton’s.

Continue Reading…

1980s, Alternative, Blues, Dance Music, Funk, Hip-Hop, House, Live Music, New Wave, Rock, Soul

Then & Now: The Diamond Club

October 21, 2014

The Diamond Club dancefloor. This and all photos in gallery by Gokche Erkan. All rights reserved. 

Article originally published September 12. 2012 by The Grid online (thegridto.com).

We revisit the crown jewel of late-‘80s Toronto nightlife, where everyone from house enthusiasts to members of Pink Floyd felt right at home.

BYDENISE BENSON

Club: The Diamond Club, 410 Sherbourne St.

Years in operation: 1984-1991

History: While Torontonians have known 410 Sherbourne as a dance club and concert venue for almost three decades, the building was once home to music and theatrics of a different sort. Starting in the 1950s, the German-Canadian Club Harmonie offered everything from community gatherings to oom-pah bands to ballroom dancing at the address.

In the early 1980s, New Yorker Pat Kenny entered the picture. At the time, Kenny owned or co-owned three Manhattan clubs: Greenwich Village rock spots The Bitter End and Kenny’s Castaways (now run by his son), and larger dance club and concert venue The Cat Club.

“Pat was called ‘The Bard of Bleeker Street’ because he was a larger-than-life character, and extremely well known in New York,” says Toronto club and music-industry veteran Randy Charlton, who worked for Kenny. “He helped break the careers of a lot of struggling young artists in the 1960s into the ’70s, like Dylan, Bruce Springsteen, and Mark Knopfler before Dire Straits was well known.”

Though based in New York, Kenny took an interest in Toronto. Friends involved in The Village Gate nightclub and dinner theatre wanted to open an offshoot location here; Kenny opened it at 410 Sherbourne, with Club Harmonie still holding court in a small space within the building. After a few unsuccessful productions, the dinner theatre folded, and Kenny rented the entire building to open a nightclub.

Continue Reading…

1990s, Alternative, Blues, Hip-Hop, Indie Rock, Live Music, Punk, Reggae, Rock, Soul

Then & Now: The El Mocambo, 1989 – 2001

October 7, 2014
unknown

Dan Burke under the Neon Palm, circa 2001. Photo: Peter Power / Toronto Star.

 

Article originally published August 10, 2012 by The Grid online (thegridto.com).

The legendary Spadina venue has just been sold for a reported $3 million, with its new owners promising to return the club to its late-‘70s glory days. But in this edition of her nightlife-history series, Denise Benson looks back at the people and parties that kept this Toronto landmark alive during its leanest years.

BYDENISE BENSON

Club: The El Mocambo Tavern, 464 Spadina Ave.

Years in operation: 1946-present. Here, I focus specifically on the era spanning 1989-2001.

History: Arguably Toronto’s most illustrious live music venue, Spadina’s historic El Mocambo Tavern has meant many things to many people over the past 66 years: soul and blues hub, revered rock and roots venue, queer-punk hotbed. The building itself is said to date back to 1850, and to have acted as a haven for escaped slaves in a part of the city that was long home to a sizable African-Canadian community.

The El Mocambo, complete with infamous palm-tree sign, opened in the 1940s as a two-floor live music venue, and was granted one of Toronto’s earliest liquor licences. While it’s never been fancy, the El Mo boasts an incredible rock, soul, jazz, and blues pedigree. Charles Mingus, Muddy Waters, Willie Dixon, Jimi Hendrix, Stevie Ray Vaughan, The Guess Who, Elvis Costello, Lou Reed, U2, Blondie, and The Ramones all played there, as did a certain British band that performed two nights under the pseudonym of The Cockroaches.

“The Rolling Stones’ shows in 1977 put The El Mocambo on the ‘world stage,’” says longtime local music booker Enzo Petrungaro, who co-owned the venue from 1989 to 1992.

Continue Reading…