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OCAD

1990s, Breaks, Disco, Downtempo, Drum 'n' Bass, Dub, Electronic, Funk, Hip-Hop, House, Live Music, Rave, Reggae, Rock, Techno

Then & Now: We’ave

December 8, 2014
Weave mural

We’ave wall mural. Photo by Merri Schwartz, courtesy of Dan Snaith.

 

Article originally published December 20, 2013 by The Grid online (thegridto.com).

In the late 1990s, this quirky three-storey Dundas West venue provided a homebase for emergent female DJs and was a hotbed for techno, drum ‘n’ bass and all kinds of experimentation. It also helped launch the careers of Caribou, Peaches, and future Azari & III member Christian Newhook.

BYDENISE BENSON

Club: We’ave, 330 Dundas St. W.

Years in operation: 1997–2000

History: There is a row of heritage properties along Dundas West, between McCaul and Beverley Streets and directly opposite the Art Gallery of Ontario, that tend to catch the eye. Built in the late 19th century as homes, the properties at 312–356 Dundas West gained heritage status in 1973, and now host a mix of galleries, cafés, and other businesses.

The building at number 330 stands out for its shape, colour, and newness. An infill property that sits snugly between number 326 (the Howard Bryant House) and 334 (the Richard Chadd House), 330 is the relatively modern two-and-a-half-storey commercial building that replaced one of the original detached houses. It’s a quirky build, but not entirely out of place with OCAD University right around the corner.

The address opened as We’ave, an arts and music complex, in March of 1997. Its original general manager, Sherri Ranger, had envisioned the venue as an artists’ co-op.

“We’ave stood for ‘We Have,’ which was Sherri’s concept,” explains musician and DJ Barbi Castelvi, hired in April ’97 as its live-music booker and publicist.

“They were having some parties, but there was no liquor licence or restaurant yet,” Castelvi explains in an email interview. “It was literally a drop-in artist co-op. [Experimental jazz ensemble] GUH already had a residency; they were Sherri’s friends. There were also artist workshops, curated by Sherri.”

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2000s, Disco, Dub, Electro, Electronic, Funk, Hip-Hop, House, Indie Rock, Live Music, New Wave, Post-punk, Reggae, Rock, Soul

Then & Now: 56 Kensington a.k.a. Club 56

December 5, 2014
56 Kensington GTO ___ 52826c4231c60-56-Kensington-exterior-by-Randreac

Outside Club 56. Photo by RANDREAC.

 

Article originally published November 12, 2013 by The Grid online (thegridto.com).

It was a dark, dingy death-trap. But in the early 2000s, there was no better place to party than in this Kensington basement.

BYDENISE BENSON

Club: Club 56, 56C Kensington Ave.

Years in operation: 2001-2004

History: In the early 2000s, Kensington Market was not much of a destination for dancing. Market nightlife mainly consisted of punk and reggae shows, the occasional low-key lounge or restaurant, impromptu gatherings in the park, and boozecans. Streets tended to be quiet by night and busy by day, when people flooded in to buy vegetables and second-hand clothes.

Squeezed between random storefronts and a TD bank machine, 56C Kensington was easy to miss. Its glass-door entrance was set in from the sidewalk, and was frequently covered in posters. Layers of paint hinted at the location’s past lives, including as an after-hours and, before that, a Vietnamese karaoke bar.

By 2001, a man named Laszlo or Leslye (the English translation) owned the basement bar that came to be known as Club 56. At first, his clientele consisted largely of friends, many of them fellow Hungarians and other Eastern Europeans. It was a social club of sorts.

That same year, a DJ and promoter named Mike Wallace was searching for a new spot to throw his parties. He and Rob Judges—two Scarborough-raised music lovers who’d been friends since grade four—had made names for themselves through a party called Skeme. From 1995 to ’97, the duo scoped underused spaces, bouncing from legion halls to Ethiopian restaurants, Kensington’s Lion Bar and Top o’ the Market and, most successfully, to Spadina’s Club Shanghai.

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