Techno Archives - Then and Now: Toronto Nightlife HistoryThen and Now: Toronto Nightlife History

1970s, 1980s, 1990s, 2000s, 2010s, Dance Music, Disco, Electro, Funk, Hip-Hop, House, New Wave, Post-punk, Rave, Soul, Techno, Toronto Rave

THEN & NOW: Book July 15. Launch July 23.

July 12, 2015

Then & Now book cover. Design by Noel Dix.

Then and Now: Toronto Nightlife History
By Denise Benson. Foreword by Stuart Berman.

Published by Three O’Clock Press. Publication Date: July 15, 2015

562 pages, with four sections of colour photos.

More info and to pre-order: http://threeoclockpress.com/titles/then-and-now

The history of Toronto’s nightlife reveals its pulse.

From award-winning veteran music journalist and DJ Denise Benson comes Then & Now: Toronto Nightlife History, a fascinating, intimate look at four decades of social spaces, dance clubs, and live music venues. Through interviews, research, and enthusiastic feedback from the party people who were there, Benson delves deep behind the scenes to reveal the histories of 48 influential nightlife spaces, and the story of a city that has grown alongside its sounds.

Advance Praise

“Contrary to conventional wisdom, Toronto has known how to party for a while. Then & Now tells a heretofore untold social history of Toronto, including the clubs where often-marginalized people found both community and liberation deep into the night. This book is an essential chapter of Toronto’s recent history.” ̶ Shawn Micallef, Author and Spacing Co-owner

“The early days of punk and new wave at The Edge; clubs like Voodoo and Twilight Zone where you could be normal being weird; playing Depeche Mode and New Order at Focus and Club Z; dancing to The Specials at Nuts and Bolts and Fad Gadget at Domino Klub; playing The Happy Mondays at Empire … Legendary Toronto club culture and memories brilliantly captured and stamped in time.” ̶ Scot Turner, Producer/Host CFNY 102.1, Program Director Energy 108

“Denise Benson’s Then & Now … shines a deserved light on the many young, often disenfranchised, DJs, promoters, and business owners who created scenes from nothing, providing safe and exciting spaces for alternative communities and culture to flourish. Denise gets it so right because she was there herself, is still there. Good thing, since reading her chronicles makes me want to dance!” ̶ Liisa Ladouceur, author Encyclopedia Gothica

“Denise … ambassadors all good things in the Toronto music scene. The work she’s accomplished documenting pivotal moments in club history is nothing short of amazing. She is a proven archivist and we are lucky to have someone with this level of passion in our ever-growing and evolving scene.” ̶ Nitin Kalyan aka DJ/producer Nitin, co-founder of No.19 Music

Then & Now launch party poster design by Noel Dix

Please join us in celebrating the release of Then & Now: Toronto Nightlife History!

Featuring:
Denise Benson in conversation with Stuart Berman (8:30-9:30)
followed by DJs spinning through sounds, genres and decades from 10pm ’til late.

MARK ‘SHUGGY’ OLIVER

PAUL E. LOPES & MIKE TULL

JAMES ST. BASS

DJ BARBI

and DEKO-ZE

Then & Now will be for sale at a special launch price and Denise will be signing books.

***

About the launch party:

Light refreshments will be provided.
There will be a cash bar and a full dinner menu available to launch guests.

The main floor of NEST is physically accessible. We regret that there will not be ASL interpretation provided.
Please contact: publicity@threeoclockpress.com with any accessibility queries or concerns.

This is a FREE event.

1990s, 2000s, 2010s, Dance Music, Drum 'n' Bass, Electronic, Hip-Hop, House, Live Music, Pop, Rock, Techno, Toronto Rave

Then & Now: The Guvernment complex

March 7, 2015

All photos in the gallery by Tobias Wang of Visualbass Photography.

After almost two decades of hosting the world’s biggest DJs, alongside some of Toronto’s finest, Canada’s largest nightclub recently closed doors to make way for condo development on the waterfront. With the participation of some of The Guv’s key players, Then & Now delves deep to tell the exhaustive story of a club that mirrors – and contributed greatly to – electronic music’s evolution. Rave on.

By: DENISE BENSON

Club: The Guvernment complex, 132 Queens Quay East

Years in operation: 1996 – 2015

History: Charles Khabouth has been mentioned throughout the Then & Now series as his influence in Toronto nightlife is widely felt. Khabouth’s earliest nightclubs, Club Z on St. Joseph and Stilife on Richmond, were pioneering in very different ways. Early in 1996, he began work on a wildly ambitious project, one so successful that it would both cement Toronto’s reputation as an international clubbing destination, and anchor Khabouth’s ever-expanding business empire. But things could have turned out very differently.

In the mid ‘90s, the stretch of our waterfront near Queens Quay and Jarvis was still fairly isolated and industrial. A stone’s throw from Lake Shore Boulevard, it held factories, parking lots and stretches of open space. Condos did not dominate the landscape.

The 60,000 square foot space at 132 Queens Quay East had housed large clubs in its recent past. From 1984 to late 1985, it had been home to the Assoon brothers’ innovative Fresh Restaurant and Nightclub. For the next decade, it was the location of popular club RPM and its sister concert space, the Warehouse.

When Khabouth took over the building on January 1, 1996 he couldn’t have known that he had almost eight months of renovating ahead. But he did know that he had to compete with Toronto’s then-booming, highly concentrated Entertainment District.

“I thought, ‘How am I going to compete with 50 nightclubs side-by-side downtown?’ Khabouth tells me during an expansive interview. “Kids would go to the one area and bop around all night long. I realized I had to do a multi-room venue or I had no hope in hell. That’s why I created five venues under one roof, plus the Warehouse, which really was a warehouse.” Continue Reading…

2000s, 2010s, After-hours, Breaks, Electronic, House, Techno

Then & Now: Footwork

December 9, 2014

Click through the photo gallery for a look at some of the many DJs who graced Footwork’s booth.

Article originally published February 11, 2014 by The Grid online (thegridto.com).

In the face of King West’s rampant condo-ization and nightclub-ificaiton, this beloved, recently shuttered basement venue held it down for underground sounds—and continues to do so at a newly opened space in the Annex.

BY: DENISE BENSON

Club: Footwork, 425 Adelaide W.

Years in operation: 2005-2013

History: The story of one of this city’s most beloved, internationally recognized house and techno clubs begins with the unlikely pairing of two men raised on rock.

Hamilton native Joel Smye was a long-haired fan of bands like Pearl Jam and Rage Against the Machine until his parents sent him to Switzerland to complete high school. While there, he also got an education in rave. By 1997, he hit up massive Toronto parties each weekend, and taught himself to DJ. As Baby Joel, he would become known for his love of funky Chicago house.

Originally from Ottawa, Stephan Philion moved to Toronto 11 years ago, already experienced in the hospitality industry, and in throwing house parties, which were largely a means to accumulate sound and lighting gear. He had a lean toward Britpop and grunge until party promoter and friend Gairy Brown took Philion to Fly Nightclub, where he fell for dance music.

Smye and Philion met in the early 2000s, while waiters at Brassai. The two talked music. Philion got to hear Smye DJ, loved his take on house, and invited the DJ to check a club sound system that was just gathering dust at the time.

1990s, Breaks, Disco, Downtempo, Drum 'n' Bass, Dub, Electronic, Funk, Hip-Hop, House, Live Music, Rave, Reggae, Rock, Techno

Then & Now: We’ave

December 8, 2014

We’ave wall mural. Photo by Merri Schwartz, courtesy of Dan Snaith.

Article originally published December 20, 2013 by The Grid online (thegridto.com).

In the late 1990s, this quirky three-storey Dundas West venue provided a homebase for emergent female DJs and was a hotbed for techno, drum ‘n’ bass and all kinds of experimentation. It also helped launch the careers of Caribou, Peaches, and future Azari & III member Christian Newhook.

BY: DENISE BENSON

Club: We’ave, 330 Dundas St. W.

Years in operation: 1997–2000

History: There is a row of heritage properties along Dundas West, between McCaul and Beverley Streets and directly opposite the Art Gallery of Ontario, that tend to catch the eye. Built in the late 19th century as homes, the properties at 312–356 Dundas West gained heritage status in 1973, and now host a mix of galleries, cafés, and other businesses.

The building at number 330 stands out for its shape, colour, and newness. An infill property that sits snugly between number 326 (the Howard Bryant House) and 334 (the Richard Chadd House), 330 is the relatively modern two-and-a-half-storey commercial building that replaced one of the original detached houses. It’s a quirky build, but not entirely out of place with OCAD University right around the corner.

The address opened as We’ave, an arts and music complex, in March of 1997. Its original general manager, Sherri Ranger, had envisioned the venue as an artists’ co-op.

“We’ave stood for ‘We Have,’ which was Sherri’s concept,” explains musician and DJ Barbi Castelvi, hired in April ’97 as its live-music booker and publicist.

“They were having some parties, but there was no liquor licence or restaurant yet,” Castelvi explains in an email interview. “It was literally a drop-in artist co-op. [Experimental jazz ensemble] GUH already had a residency; they were Sherri’s friends. There were also artist workshops, curated by Sherri.”

2000s, After-hours, Breaks, House, Techno

Then & Now: Boa Redux

November 30, 2014

On the dancefloor at Boa Redux. Photo courtesy of Carey Britt.

Article originally published June 10, 2013 by The Grid online (thegridto.com).

In the 1990s, Boa Café was one the city’s busiest late night hangouts; in the mid-2000s, its second incarnation –a much larger, full-blown dance club– was hailed as the best-sounding. But with high expenses and no liquor licence, the party couldn’t last for long.

BY: DENISE BENSON

Club: Boa Redux, 270 Spadina Ave.

Years in operation: 2003–2005

History: In an earlier edition of Then & Now, we explored the story of Rony Hitti’s 1990s Yorkville hotspot, Boa Café. By the time Hitti closed the Café in 1998, he owned a number of other fine-dining establishments, including Brasserie Zola and Winston’s. A few years later, he closed the book on his life as a restaurateur, keen instead to open a large underground dance club, which had been a dream for decades. Hitti would soon bring Boa’s name to a new generation by creating an after-hours venue of a much different nature than its predecessor.

“Boa Redux came out of my desire to have a house club in Toronto similar to Montreal’s Stereo,” he begins.

Hitti spent two years searching for the right location. A real-estate agent took him to 270 Spadina Ave., former home of a rundown porn theatre. At 16,000 square feet, with soaring ceilings and multiple levels, the space had great potential.

A big staircase dominated the room, its large steps each allowing a view of the entire area. A separate lounge space would be built on the lowest level, also to serve as the club’s entrance. There was an existing stage, later to be utilized both for dancing and late-night performances. In total, Boa would have a legal capacity of more than 1,300 people, an ideal size for a club purpose-built to feature some of the globe’s top underground DJs in a city that continued to have a thriving late-night scene in its post-rave years.

1990s, Alternative, Dance Music, Electronic, Gay, Hip-Hop, House, New Wave, Rave, Rock, Techno

Then & Now: Go-Go

November 18, 2014

Image from a Go-Go newspaper ad, circa 1992. Courtesy of Cheryl Butson.

Article originally published February 12, 2013 by The Grid online (thegridto.com).

The Ballinger brothers – owners of clubs including the Big Bop and Boom Boom Room – were not known for creating sophisticated spots. That changed with the chic, tri-level super-club that brought long line-ups to the Entertainment District in the early 1990s.

BY: DENISE BENSON

Club: Go-Go, 250 Richmond St. W.

Years in operation: 1990-1993

History: Though based in Toronto for less than a decade, the brothers Ballinger made a long-lasting impression. The “Rock ‘n’ Roll Farmers” from Dundalk were entrepreneurs who’d originally opened a variety of venues in Cambridge, Ontario in the late 1970s.

In 1986, Lon, Stephen, Doug, and Peter Ballinger opened the multi-leveled Big Bop club at Queen and Bathurst. The wildly popular hangout would anchor the southeast corner for over two decades, and was the cornerstone of the club empire the Ballingers would build. Their Boom Boom Room, opened at Queen and Palmerston in 1988, was much smaller in size, but was trendsetting with its mix of rock, alternative, house, and queer nights. With a few years’ experience in T.O. and a staff that was willing and able to bounce between venues, the Ballingers soon set their sites on 250 Richmond St. W. for an ambitious new venture.

Richmond and Duncan was not yet an obvious choice of location. After-hours club Twilight Zone had closed just the year before, and Charles Khabouth’s Stilife, located directly across the street, was showing signs of slowing. Beyond these venues, and after-hours rave destination 23 Hop, which would soon open at 318 Richmond St. W., the area was still largely deserted at night.

But with Doug Ballinger at the wheel, the brothers would develop a 14,000 square foot, tri-level warehouse building into one of the most innovative and influential clubs Toronto would experience in the 1990s.

2000s, After-hours, Dance Music, Electro, Electronic, Hip-Hop, House, Techno

Then & Now: CiRCA

October 26, 2014

Inside CiRCA. Photo by Lucas Oleniuk / Toronto Star.

Article originally published October 22, 2012 by The Grid online (thegridto.com).

In this edition of her Toronto-nightlife history series, Denise Benson revisits the biggest, most ambitious, and most fatally expensive nightclub the city has ever seen.

BY: DENISE BENSON

Club: CiRCA, 126 John St.

Years in operation: 2007-2010

History: The four-storey heritage property at 126 John St. has housed many businesses since its main structure was built in 1886. Originally, it was the site of John Burns Carriage Manufacturers, followed by other industrial-machinery companies.

By the early 2000s, the 53,000-square-foot space was an anchor for play in Toronto’s bustling Entertainment District. Mondo video arcade Playdium gave way to mega-dance club Lucid in 2004. The heavily hyped commercial club lasted only a year; its doors were locked in July 2005 when more than $400,000 in back rent was owed to landlord RioCan. (You just don’t mess with Canada’s largest retail real-estate firm.)

Enter New York City club magnate Peter Gatien. The Cornwall, Ontario native had moved to Toronto in 2003, following deportation from the United States. Gatien is, of course, one of the world’s most famous nightclub impresarios, having owned deeply imaginative and influential N.Y.C. hot spots including Limelight, Tunnel, Club USA, and Palladium during his 30-year career.

The one-time millionaire’s very public fall has been well documented in both print and film. To recap: New York police and the Drug Enforcement Agency (DEA) pursued Gatien relentlessly in a 1996 federal investigation that attempted to directly link him with the sale of street drugs, particularly ecstasy, in his clubs. Gatien was acquitted, and then later arrested on tax-evasion charges, to which he pled guilty.

Once in Toronto, Gatien—later joined by wife Alessandra and their son Xander—was interested in exploring a boutique-hotel concept. He tells me during a recent phone interview that a RioCan representative approached him in a park, during a dog walk, in the fall of 2005, and requested that Gatien pay a visit to 126 John.

2000s, After-hours, Breaks, Drum 'n' Bass, House, Rave, Techno

Then & Now: Turbo

October 24, 2014

Ruckus tears up Turbo. Photo by Jay Futronic.

Article originally published September 24, 2012 by The Grid online (thegridto.com).

360 Adelaide St. W. has had many incarnations over its 90-year-plus existence, but it is best remembered as the home of Toronto’s burgeoning drum ‘n’ bass scene in the early 2000s.

BY: DENISE BENSON

Club: Turbo Niteclub, 360 Adelaide W.

Years in operation: 2000-2003

History: Built around 1920, the six-storey red brick office building at 360 Adelaide St. W. has been home to multiple dance clubs, many of them owned and operated by Vincent Donohoe. He’d opened Top 40 venue Denile at the address in 1997, a time when the Entertainment District was synonymous with nightclubs, but Donohoe was no newbie. He’d already helped finance Charles Khabouth’s first two clubs in the 1980s—Club Z at 11A St. Joseph and Stilife on Richmond—and run other businesses.

“Although Charles Khabouth never seems to want to let people know, I was a full partner in Club Z and the money behind Stilife,” writes Donohoe in an email. “He was broke when I met him, and at one time I owned two thirds of Club Z. I also helped put together Orchid Nightclub [on Richmond Street], and was general manager for their first three years, until I built Denile.”

Donohoe’s one-floor Denile later morphed into Jet Nightclub, a hybrid venue that held successful commercial nights, and was regularly rented out by rave production companies like Ritual, Empire, and Lifeforce Industries for much more underground, after-hours events.

1990s, 2000s, Alternative, Dance Music, Drum 'n' Bass, Electronic, House, Industrial, Rave, Rock, Techno

Then & Now: Limelight

October 7, 2014

Article originally published July 27, 2012 by The Grid online (thegridto.com).

As the Entertainment District grew more sophisticated in the 1990s, this proudly shabby and unpretentious nightclub drew crowds by the thousands each week to a sleepy stretch of Adelaide.

BY: DENISE BENSON

Club: Limelight, 250 Adelaide St. W.

Years in operation: 1993-2003

History: Before the Entertainment District became synonymous with dance clubs, the well-worn brick building at 250 Adelaide St. W. was home to businesses including a print shop and Old Favorites Books.

Located near the corner of Duncan, the building was spotted by businessman Zisi Konstantinou, who saw its potential as a club space. Richmond Street east of Spadina was already attracting large weekend crowds in the early 1990s, thanks to venues like Charles Khabouth’s pioneering Stilife and the Ballinger brothers’ hotspot Go-Go, which later became Whiskey Saigon. Adelaide east of Spadina was not yet a dancer’s destination.

Konstantinou’s next smart move was to hire Boris Khaimovich as general manager of his club-to-be. Khaimovich—who’d worked the door and managed at Toronto clubs including The Copa, Boom Boom Room, and Go-Go, brought his vision to the project—and was Limelight’s guiding light for eight of its 10 years.

1990s, After-hours, Alternative, Drum 'n' Bass, Electronic, House, Industrial, New Wave, Punk, Rave, Rock, Ska, Techno

Then & Now: Catch 22

September 25, 2014

Marilyn Manson outside of Catch 22, circa mid-1990s. Photo courtesy of Andy Gfy.

Article originally published by The Grid online (The GridTO.com) on May 24, 2012.

In the early ‘90s, alternative rock was exploding overground, with the rave scene coming up right behind it. This beloved Adelaide Street club bridged these two movements together in a legitimate, licensed space.

BY: DENISE BENSON

Club: Catch 22 Niteclub, 379 Adelaide W.

Years in operation: 1989-1997

History: While a five-year-lifespan tends to be a decent run for nightclubs in this city, some strike a nerve and manage to go it longer, thanks to an ever-evolving community of supporters. Catch 22 was such a venue.

Located on Adelaide near the corner of Spadina, Catch was slightly off the beaten path as it lay on the edges of the then-developing club district and was a few minutes’ walk south from Queen West. It was opened in November of 1989 by a group of friends—with Pat Violo, Lex van Erem, and Gio Cristiano at the core—in a former storage space on the building’s lowest level.

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Then and Now: Toronto Nightlife History By Denise Benson. Foreword by Stuart Berman.

In the late 1990s, this quirky three-storey Dundas West venue provided a homebase for emergent female DJs and was a hotbed for techno, drum ‘n’ bass and all kinds of experimentation. It also helped launch the careers of Caribou, Peaches, and future Azari & III member Christian Newhook.

In the 1990s, Boa Café was one the city’s busiest late night hangouts; in the mid-2000s, its second incarnation –a much larger, full-blown dance club– was hailed as the best-sounding. But with high expenses and no liquor licence, the party couldn’t last for long.

The Ballinger brothers – owners of clubs including the Big Bop and Boom Boom Room – were not known for creating sophisticated spots. That changed with the chic, tri-level super-club that brought long line-ups to the Entertainment District in the early 1990s.

In this edition of her Toronto-nightlife history series, Denise Benson revisits the biggest, most ambitious, and most fatally expensive nightclub the city has ever seen.

360 Adelaide St. W. has had many incarnations over its 90-year-plus existence, but it is best remembered as the home of Toronto’s burgeoning drum ‘n’ bass scene in the early 2000s.

As the Entertainment District grew more sophisticated in the 1990s, this proudly shabby and unpretentious nightclub drew crowds by the thousands each week to a sleepy stretch of Adelaide.

In the early ‘90s, alternative rock was exploding overground, with the rave scene coming up right behind it. This beloved Adelaide Street club bridged these two movements together in a legitimate, licensed space.

Then and Now: Toronto Nightlife History
By Denise Benson. Foreword by Stuart Berman.